Movies:

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ott...

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headl...

Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura MolloyEsmeralda del Rio was a woman. One day Esmeralda del Rio had the idea to undergo a series of transforma...

A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard....

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chan...

FREAK ORLANDO is divided into five more-or-less distinct sections, all featuring "Freak" Orlando, a woman, played by the late Magdalena Montezuma, who appears in various guises, and deformities, throughout....

A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess....

...Her son-in-law, Ippolit Matwejewitch Worobjaninow, is a former nobleman and a dandy who is currently wasting away as a small town magistrate in charge of civil marriages. He eagerly takes up the quest to find the treasure. Meanwhile, over the year...

Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance w...

The Blood Countess and her maid take us on a wild hunt for blood and secrets from times gone by. On their adventurous journey, they desperately search for the precious lifeblood while also uncovering the dark history of their ancestors. But suddenly ...

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people....

In Echigo in Japan the snow often lies several feet deep well into May covering landscape and villages. Over the centuries the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their...

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place...

In fall 2007 the Women's Film Festival Seoul issued a call that did not promise, like the pirate queen Madame X, "gold, love, and adventure," but something as tempting as the opportunity to film a 15-minute short in Korea, which, assembled as one of ...

A Journey to the Bering Sea in three chapters by Ulrike Ottinger....

Countdown follows a chronological sequence. The movie was shot in Berlin and environs over a ten-day period leading up to the unification of the currencies on July 1, 1990. The film thus ends on the date marking “the first stage of German reunificati...

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanitie...

Reel 11 of Gérard Courant's on-going Cinematon series....

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive....